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Do You Have a Book Distributor? Are You Sure?

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I had so much fun talking with the authors and indy publishers at AuthorU earlier this month.  Here is a snippet that explains in detail the difference between Wholesalers, Distributors and Fulfillment Houses.

Too often I get calls from authors/small press owners who tell me that they “have a distributor”… then they mention Ingram or Baker & Taylor.  CLOSE!  But no…. check out this 2 minute video to see why:

Book Distribution vs. Book Wholesalers

 

 

 

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What Are Book Store Buyers LOOKING For?

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A client recently asked me.  What the %$#@! are book buyers looking for? He went on to say “My book is priced right, well-designed and exactly what older American’s are needing… what more can I do?”

I thought I would share my answer in the hopes that it might answer other questions out there.

If the book is well written, has a topic and message that will appeal to their customers, and is well designed, it has a good shot of getting a test order from a bookstore book buyer.

Keep in mind, there are more books published each year than could fit in 7 totally empty bookstores.  (And as you know, bookstores are not empty!)  Because of this, the buyers can only take a teeny fraction of what is presented to them.  Also, the buyers are judged (read: get to keep their jobs) by how many times their section “turns” a year.  The sales rate of their choices is closely monitored.  So they will pick books that they feel have the best chance to selling off the shelf several times a year.

That is where demand and platform comes in. If an author has a good platform, is reaching out to thousands, or tens of thousands of readers, is showing sales online (seen in Nielsen Bookscan reports) and has a strong PR plan with potential for a lot of media – the buyer will be far more likely to take the book in.

If the book does NOT have all of those things, then the buyer needs to see some other proof that the well-designed, beautifully-edited, fantastically-written, much-needed book won’t just sit on their shelves. There is a chance that someone will see your title on the spine on a crowded bookshelf and pick it up.  If they pick it up, there is a good chance that they might buy it. (If they need or want a book like yours). But a book buyer would much rather sweeten the chances of a “turn” by stocking books that will have browse-friendly qualities AND great press.  There are enough books out there that have great demand AND are great books to choose from.

Does your book have everything it needs PLUS good PR?  Is your book “All That” AND a bag of chips?

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Math Lessons For Small Presses – Part 3

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Lesson #3 – DISTRIBUTORS

Bookstores buy books from wholesalers and distributors. The major difference is that a wholesaler is publisher’s customer (wholesalers buy books from a publisher) and a distributor is a publisher’s employee (distributors sell their services to a publisher).

A distributor handles all of the après-production elements of getting a book onto a store’s shelves. Publishers agree to funnel all of their sales, warehousing, shipping, and billing through the distributor. They do this work for a percentage of the billing generated by the sale of the publisher’s books.

Like publishers, distributors sell a book to a wholesaler or bookstore at a discount of the retail price. That discount is usually between 45 and 55 percent.

So, if bookstores get about the same terms and about the same schedule, why do they go to a distributor instead of directly to the publisher? Some bookstores (especially bookstore chains) are not interested in setting up new, small, or regional publishers in their ordering and accounting systems for just a few books. They rightly weigh the benefits of a publisher’s book against the time and trouble necessary to order it, and if the balance does not come out in the book’s favor, they skip it. How do new and small publishers avoid this terrible fate? They sign exclusive agreements with a distributor.

A distributor’s cut varies from 25 to 35 percent of the net billing of each book. Just about every distributor has additional monthly fees, and most require an initial deposit for new clients.

Before you balk, keep in mind that it is very difficult, expensive, and time consuming to handle your own warehousing, purchase shipping materials, and learn how to ship exactly how each store wishes their shipments to arrive … and everyone is different. (It’s a little joke they like to play on publishers. I am convinced that bookstore owners get together every two years to devise slightly altered yet completely incomprehensible trafficking instructions.) Then comes the billing, monthly statements, handling claims for books damaged in transit, taking in returns, and reconciling the amount due with what the bookstore believes is due.

After that, consider the money and time it takes to tell the country’s thousands of buyers about your books. The sales reps working for distributors have long-standing relationships with the book buyers in your hometown, across the country, and in the major chains. You would not be able to start a fledgling relationship on your own with these buyers. What an experienced sales rep can often do with a phone call, you could rarely accomplish with six months and a great deal of research, e-mails, flyers, catalogs, paperwork, and free samples.

 

Back to the math!

A book priced at retail is $16.95

A distributor sells it to a wholesaler for $7.63 (55% discount)

The distributor will charge the publisher on average $2.15 to handle that order.

Shipping and other fees will cost about $1.30 cents a book (give or take)

The publisher gets $4.18 for the book from the distributor 6 months later when the payment comes in.

After the productions costs of $3.25 are taken into consideration, the end profit is about .93 cents a book.

(AND the distributor does most of the work)

 

So there you have it.  Math by an English Major for Publishers. Let me know if you have any questions!

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Radio Interview with Author U founder Judith Briles

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I had a wonderful time speaking with Judith Briles about the state of self publishing and how to market books in the coming year.  Click here to listen:

RockStarRadioYouPublish

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Hometown Book Sales

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– By Nicole Riley

Once you have a completed book in your hands, it’s time to get out there and show it to your hometown.

The first step is to be vigilant. The key to direct selling is to look for opportunities everywhere.  Very few places will be as excited about your book than the area where you live.

 

Remember, people in your hometown will be more receptive to hearing about your book than those that have no connection to you. Sell your book to friends from church, work, local bookstores, local places you shop, the local gym.   If your town holds any festivals or fairs, rent a booth there to promote your book as a local author. If people from your area like your book, they’ll tell their friends and a ripple effect will form.  You might want to volunteer with organizations with whom you identify. Get involved and your customer base will grow.  Civic Organizations are often looking for speakers in various topics.

Try not to be scared of giving copies of your book away. 

Donating is a great way to build a name in the literary community. If appropriate, give copies of your book to local schools or reading organizations. Those who get a copy of a book for free may enjoy it and recommend that their friends buy it. Some customers may be reluctant to buy a book they don’t know.  Word of mouth is a valuable effect of direct sales.

  • There are a few suggestions for you to follow when visiting your local bookstore.

  • Visit your local store between the hours of 10-11 or 2-5.  Avoid busy traffic times such as lunch time.

  • Identify the shelf your book may fit on.  Is there a section for your category?  Is there a local author section?

  • Each book store and buyer will have its own personality.  It is important to evaluate and adapt to the stores culture before speaking with the person in charge of ordering.

  • When dealing with retailers always remember to look and act professional.

  • Identify the person you may need to speak with.  In Independent bookstores it may be the owner or the book buyer.  In a chain store such as a B&N you may want to ask for the Community Relations Manager or the store manager.

  • Have promotional material and a copy of your book at your fingertips.  Promotional material may include a Sales Sheet or a Press Release.  Make sure any material being given includes correct contact information.

  • After identifying the appropriate person to speak with introduce yourself as the author, and offer a copy of the book and materials for review.    Be confident but not pushy.  You will be asked where your book is available.  You will need to provide availability and ordering information.

  • Ask if the store participates in any type of author events or book signings.

  • Ask when and if, following up with them would be appropriate.  Making a follow up connection is much different than being overly harassing.

  • Be considerate of a store’s right to turn you down, and simply move on to your next location.

Now that you have the basics to selling to your hometown, please do not be discouraged if you are not receiving desired feedback. New Shelves Publishing Services is dedicated to being a resource for you throughout this process.  We can sit down and brainstorm ideas that will help you stick to your goals and stay focused.  Good Luck!

 

 

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