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First Results From Amazon Marketing Campaign

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I have been experimenting with Amazon’s Advantage Marketing offerings over the last 10 days.  My first experiment was to purchase keywords and move my book up the search list via “sponsored product”.  I set a $300 budget for 10 days and got a GRAND TOTAL of 11 clicks and 0 sales.  I only spent $3.71 for those clicks and my budget was largely untouched.

So…. as of today, I am trying something different.  I am setting a $100 budget for TWO days and allowing a LOT more money per click to be charged to see if that drives the number of eyeballs on my book up.  I do not expect Amazon to be responsible for SELLING the book (the book will sell or not….) but I want a LOT more clicks per impression.

I will let you know how it goes! (And I would be curious to hear how YOUR advertising with Amazon is going!)

For now, here are the results of my $300 budget campaign over 10 days so you can see what it looks like:

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How To Set Up a Price Specific Bar Code for FREE

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POD Math

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coins-72714_1280A number of you have asked me about how the math works when you go to IngramSpark for POD.  Here is an example:

A 204 page POD paperback book costs $4.98 to print. (.02 a page plus .90 for the cover)

The book is priced retail at 16.99

Ingram will purchase the book from Ingram Spark at 55% discount off of the retail price.  That will leave you $7.65

Ingram Spark will take the $4.98 out of that total due for the printing and send you $2.67.

Ingram will then take the book that they bought from  you (through Ingram Spark) and sell it to bookstores and libraries at a discount of anywhere from 20% – 42%.

You make $7.65 but have to pay for printing out of that.

Ingram Spark makes $4.98 for printing

Ingram Wholesalers make $2.21 – 5.95  but they have to pay for shipping and handling out of that.  (FYI-If you choose the short discount and only let Ingram offer a 20% discount, you are severely limiting the number of places that will take your book….)

The bookstores and libraries make between $3.40 – $7.13 but they have to pay for employees, rent, lights and the rest out of that.

Does that make more sense?

A number of authors have questioned why they only get to “net” $2 or less in some cases.  I would argue that once the stores and wholesalers pay THEIR expenses, they make a LOT LESS than that!

As long as you are making 11% of the retail price as a net before taxes, you are in good shape! (most established publishers would be thrilled with that)

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Why Can’t My Book Be 6 X 9?

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book-1281238_1920 In a Facebook group I administer, the question of trim size has come up.  (Mainly because I rashly claimed that 6 X 9 was not an acceptable trim size for most books.)

This started off a firestorm of questions and requests.  “What trim size SHOULD my book be?” was the main thread throughout.

So, I decided to do some research by category. I cannot tell you what trim size YOU should make your book, as a publisher, that is your call. However, I have gone through the USA TODAY bestseller list, the Amazon top-sellers and the NYTimes bestseller lists and have compiled a list of the most common trim sizes that they all have. When there was an even split (or close) I reference both.  Many of the trim sizes were SOOOOO close to sizes available at Ingram Spark and Create Space so if they were a 10th of an inch or less “off” I have referenced the  available sizes.

What is clear, is that the major houses are not using 6 X 9 in any meaningful way… and if you want to emulate a successful publishing house (hint: you do….), then you should consider the following trim sizes.

In NO particular order, here are the most common trim sizes of book genres in the current bestselling lists:

General Fiction  5.25 X 8

Thrillers/Mysteries  5.25 X 8.25 OR 5.5 X 8.5

Women’s Fiction  5.25 X 8.25

YA General Fiction  5 X 7 OR 5 X 8

YA Dystopian, Fantasy, and SciFi  5.5 X 8.5 OR 5.5 X 8

General Self Help  5.25 X 8

Inspirational/Spiritual  5 X 8

Memoir  5.25 X 8

Reference (writing, editing, etc) 6 X 9 (See?  I can admit when I am wrong!) and 5.5 X 8.5

Mid Grade Fiction  5 X 8

Early Chapter Books  5.25 X 7.5

Picture Books HC  11.25 X 9.25

Picture Books PB 8 X 8 OR 11 X 9

Board Books 6.25 X 6.25

Business  5.5 X 8.5 OR 5.25 X 8

The bottom line is this…

Go to your local bookstore and get on-line.  See what the major houses and YOUR biggest competition is doing with their trim sizes.  You can still choose to print in any size you wish, but you should know what the market is looking for right now.  Buyers are human and like things that look like previous successes.  Why not borrow from that phenomenon where you can?

 

 

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Amazon Announces New Marketing Program for US Authors

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buy-now-transp-maybePreviously published by Amy at THE BOOK DESIGNER

A few years back, authors and small presses could participate in a number of marketing programs at Amazon.com.

BUY X GET Y was one of my favorites. You could contact Amazon and request a link from your book to another book of similar appeal. It was not inexpensive, but it was a terrific program that exposed your book to readers interested in books similar to yours. Listmania was a free program that also linked similar books. There were FEATURED PAGES. A small press could purchase a page on Amazon that highlighted a series or group of books in a kind of “landing page”. There were a number of Amazon marketing programs like these and others that were slowly raised out of reach for small presses over the last 5 – 10 years.

Thus began the long dry stretch of desert for single title authors and small presses. Simply put, we were not given any opportunities to participate in Amazon’s marketing programs. Sure, there were tricks and manipulations we could learn, but they were not as effective as participating in Amazon sponsored marketing. Once BUY X GET Y and other programs were placed out of reach, the small press was significantly hampered and not able to compete with the bigger houses that still had marketing programs available.

Flash forward to May 1, 2016

Amazon announced last week that they are launching AMS, Amazon Marketing Services. The program works like this:

As an Advantage or CreateSpace publisher, you sign up for AMS and pay an annual fee of $99. This is charged to your account as a deduction of your sales so does not require up-front payment.

Once you are an AMS “member”, you will have access to marketing programs previously reserved for Amazon’s bigger vendors.

Available Programs

Here are the programs being made available in order of my favorites:

Keyword/Tag Pay Per Click Advertising

This offering is my current favorite as AMS allows you to increase discoverability of your titles on Amazon.com by letting you set your budget for a particular keyword or phrase. Depending upon your budget and the desirability of the keyword, your book can rise very high in the search page, and you ONLY PAY if someone clicks on your book. Your click budget can be as low as $100.

“A+” Detail Pages

Want video, sample page shots, extra photos and other “juicy” offerings on your book’s page? Now you can have it! $600 gets you a LOT more on your detail page. The “A+” detail page is a deluxe detail page featuring advanced formatting and rich media content (detailed descriptions for example) to enrich the shopping experience for customers.

Pricing Discounts

I LOVE this idea! Now, customers can use vendor-funded coupon links (available on the product detail page) to offer customers immediate discounts off of the Amazon selling price. YOU pay for the discount, but this program allows you to offer sales and promotions during key peak periods. You can drive sales during heavy review and blogger appearances or a big media hit!

Don’t Forget the Importance of a Review Dashboard

Whenever trying new and tried-and-true marketing efforts, it is vital that you evaluate your successes and that you measure the return on investment and optimizing campaign performance through sales reporting. With AMS, you have access to sales data and marketing ROI on each and every marketing tool you try.

Vine Reviews

Amazon reviews are becoming more and more important every month. AND Amazon is being a LOT more vigilant about deleting reviews that do not appear legitimate. Amazon Vine reviewers are a select but LARGE group of reviewers that have been “pre-approved” by Amazon and their reviews are given more weight. You can look up each Amazon Vine reviewer individually and ask if they would like a copy of your book to review or you can save all that time and hassle, pay $1500 to be offered to the Amazon Vine reviewers. It is a pretty hefty price tag, but if you want access to the entire VINE reviewer list in one easy, seamless program, you can invest in this program and let THEM handle all of the details.

Signing Up for AMS

So, on May 1st, I will be signing up for AMS and trying out the Keyword and A+ Page listings right away. I have been waiting for years to be allowed to swim with the bigger fish, and I cannot wait to see how it works. If YOU are going to be participating, PLEASE come back and comment here and tell me how it goes. It would be great for those of us who decide to swim in these waters to report back how it, the water, is. I will be back to tell you my experiences and offer solid data on the return on my investment.

Amy Collins headshot x125Funny, sharp, and smart, Amy Collins is full of up-to-date industry tips and executable advice. She has been a Book Buyer for a chain of bookstores as well as a Sales Director for a large books and magazine publisher. Over the years, she has sold to Barnes & Noble, Target, Costco, Airport­ Stores, Books-A-Million, Wal-Mart­, and other major chains. She helped launch several hugely successful private label publishing programs for Borders, PetSmart, and CVS. In 2006, Amy sta­rted New Shelves Books, one of the fastest-growing book distribution, sales and marketing companies in No­rth America. She is the author of the new book, The Write Way and works with self-published authors and small publishing companies to increase their sales in the marketplace.

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Is Your Website Safe?

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Guest Post by | Jeniffer Thompson

website safetyI was delighted to hear from a long-time client whose been working on some amazing projects, has written several books to International success, and is working on yet another book. Then the bad news came: her website was hacked and she lost everything.

Sound of heart breaking. 

I know right? How does this happen. 

Whether it be a lack of communication, an outdated email, an expired credit card, or whatever the reason, losing all of your hard work is just plain tragic. 

She was calling to see if I had a backup of the original design and content files from 2006. We did. But still, those files are ten years old. I’m honestly surprised that this message needs to be communicated—everyone backs up their files right? Apparently not. 

Backing up your website is a critical step in protecting your security and ensuring that your website is never at risk of utter failure. Since we build WordPress powered websites at Monkey C Media, I am going to address WordPress in particular. But seriously, regardless of your platform, backup your website, and you computer for that matter.

There are three parts to your WordPress powered website and you will need a backup for each one:

  1. The Design
  2. The Theme
  3. The Database

THE DESIGN:
If you have a custom designed website, then someone had to design it. You will need those design files in order to make design changes in the future, so these are important to have regardless of whether your site goes down or not. Think of this as the architectural renderings of your house (although in an admittedly over-simplified way).

THE THEME:
Once you have an approved design, a front-end programmer has to convert that design into code, this is what we refer to as a theme in my industry. Even if your site is not custom designed, your site still has a theme. This is what dictates the structure, overall look and style of your website. Think of it as the foundation, roof, and walls. 

THE DATABASE: 

These are your words, the content that you add to your site and blog. Think of this as the curtains and furniture in your house. You should backup your database as often as you add content. 

How do I backup my website? you ask.

The design is something you get from your designer. Be sure to ask for native, layered files. 

The theme is something you get from your website company after your website has gone live, and anytime you make major structural changes to your website. You can also run a complete backup of your website from your server, ask your your hosting company or webmaster to help you with this.

The database is something that should be set to backup automatically (if you add content once a week, then you should have a weekly backup in place). There are numerous plugins you can install that will automatically backup your site on a set schedule like BackUpWordPress.

As an aside, the coolest thing about WordPress is that there is a plugin for practically everything, so if you need something specific, a Google search will likely get you what you need. Happy Blogging!

The post appeared first on Jeniffer Thompson.

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The 5 Questions Authors HAVE to Know How to Answer

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1Close your eyes.  (okay, open them… you have to read)

Picture that you are at a cocktail party. The room is filled with librarians, book buyers, heads of major chain retailers, and book reviewers. A lovely mid-30s woman approaches you with a napkin filled with shrimp tails and a half-empty glass of wine.  You strike up a conversation and eventually the topic of your book comes up. This is PERFECT!  Even though you have no idea what this woman does for a living, she COULD be a major player. When she asks the following questions, are you ready to answer?

And if you ARE ready to answer these questions, are you ready to answer them in a manner that does not bore her to tears?  Are you quick and concise with your answers? Let’s look at the questions you will be asked over and over in the next few months.  Let’s come up with answers and let’s practice until you can rattle off the answers without a moment’s hesitation.

First Question: What is your book about?

As you answer this question, keep your listener in mind.  Be respectful of their time and keep your answer brief. The shorter your answers, the more people will want to know.  They will “lean in” and ask more questions. You will create a desire to hear more.  Answer this question in ONE sentence.

Here is mine:

The Write Way teaches self-published authors and publishers the rules of publishing and how to sell and market their book properly.

That’s it.  If they want to know more… they will ask.

Second Question: Who needs your book?

Answer: NOT EVERYBODY.  The woman at the cocktail party is most likely an industry insider and will not be impressed with any answer that starts with “Anyone” or “Everyone”.  The truth is, no one NEEDS your book.  Unless you wrote a book that has a PROVEN method to solve nausea for chemo patients, almost no one needs your book. Be specific and focused in  your answer.  Very specific.  Very focused.

Here’s mine:

Authors who have just published a book or about to publish a book and are feeling like they don’t have all the elements in place. Over 100,000 people self-published last year. Most of them could have used my expertise.

Third Question: What makes your book different?

This is where you show whether or not you know your market and your competition. Umming and Hmmming over this question will not look good. Do you know the authors you are up against? What are the other books your readers are buying? Why do they need YOUR book?

Here’s my answer:

Other books offer advice on the publishing process and stop there. Others focus on sales, promotion, and marketing. The Write Way walks you through, step by step. from manuscript all the way to a year after publication, saving you money and avoiding mistakes in packaging, design, editing, marketing, PR, sales, AND promotion.

Fourth Question: Where can I get your book?

Back to the cocktail party and your new friend. She is interested in your book and still asking questions. That’s great! But you don’t know who this lady is. Even if you DO find out what she does, you don’t know her whole story.What if she owns an independent bookstore on Main Street? What if she is married to an editor at Amazon.com? Be careful of how you answer this question. You want to use vague language that answers directly but does not unintentionally offend.

Here is my answer:

It’s available online, at bookstores, available for request at libraries, on my website  (newshelves.com) or from me directly. It’s also an ebook in all formats.

Fifth Question: How are you promoting the book?

This is the question that stumps most authors. And for those that do know the answer, their answers are often not enough to impress industry insiders like this lady.  Have an answer ready that will show her you know your business. This is not a time for sheepish grins and “aw shucks, I’m just an author”. Know your social media plan, know how many reviews you want to get and from where. Know how many newspapers you will be contacting. Know how many radio interviews you plan on doing. If you do not know how you are going to promote your book, how can you ask anyone to put it on their shelves?

Here is my answer:

I am doing 2-3 webinars a month with industry big shots like IBPA-online.org and promoting my book in each one. I am a guest blogger each week and writing guest articles industry magazines and blogs like thebookdesigner.com, NonFictionAuthorsAssociation.com, and WhereWritersWin.com. I have thousands of Twitter, Facebook, and LinkedIn followers and a mailing list that historically has purchased all of my past products. I am partnering with huge names in the self-publishing such as AuthorU, The Publicity Hound and Speaker Net. Last week, I was on a pod-cast out of Denver that gets over 30,000 downloads a week. I am promoting my book for several hours a day each day of the week for the next year and driving customers to the locations that agree to stock it.

——————————–

So.  Keep it quick, know your answers cold, keep your audience in mind, and be as respectful as you can. Practice your answers and you will never be caught up short when the chips are down. You may not get a second chance to make a first impression.

(and if you want a copy of The Write Way. you can find it on my website or online HERE)

TWW Front cover

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WHAT AUTHORS AND PUBLISHERS NEED TO KNOW ABOUT CIP, PCIP, MARC, LCCN, PCN

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CIP, PCIP, MARC, LCCN

Confused about what all the initials mean?

newspaper_20icon_15b15dWonderful outline of what you need to know by DGI, Connecting publishers and librarians for the benefit of readers everywhere.

CIP stands for Cataloging-In-Publication. It is a service originally established by the Library of Congress to assist publishers and libraries by providing bibliographic descriptions of soon-to-be-published books. There is a common misconception that CIP is a number but it is actually a block of text (usually found on the copyright page of a book) that describes the book using a very specific set of vocabulary and structure. The text block includes Library of Congress authorized subject headings, classification numbers for both the LC and Dewey Decimal systems, and all the information librarians need to get the book ready to put on the shelf in their libraries.

Publishers can apply for CIP to the Library of Congress. However, some publishers, especially self-publishing authors or very small presses, do not qualify for the CIP Program.

PCIP (Publisher’s Cataloging-In-Publication) is data, prepared by trained professional catalogers, which meets all the standards of records prepared by the Library of Congress. It comes in the form of a block of text which is inserted into a copyright page; in addition, an electronic version of the catalog record is sent to OCLC and SkyRiver, two major cataloging databases. PCIP services are available to any publisher or self-publishing author, for material in any format (print, audio, DVD, ebook, etc.).

The MARC (MAchine-Readable Cataloging) record is a computer file containing the PCIP text block in coded form. The file is delivered to OCLC and SkyRiver soon after the text document is delivered to the publisher. These records can be located and downloaded by libraries as part of their regular workflow. The records can only be opened and read by using special bibliographic software which libraries have and most publishers do not, unless publishers are creating their own cataloging for their titles.

 “But I already have an LCCN (Library of Congress Control Number) or PCN (Pre-assigned Control Number)—isn’t that the same thing?”

Publishers that qualify for CIP receive an LCCN, and their work is cataloged to be added to the Library of Congress collection. Publishers that do not qualify for CIP can request a PCN (Pre-assigned Control Number), which is a placeholder only and does not contain the level of description that libraries need. More information is available on LC’s website: http://www.loc.gov/publish/cip/

 What is the advantage of having PCIP in your book?

PCIP is a value-added feature; a purchasing librarian will recognize that your title(s) can quickly be added to a library’s collection. Books without CIP/PCIP are often set aside to be cataloged later. This means that your title will not get onto the shelves and into readers’ hands as quickly as you’d like. Having the MARC record for your title already prepared and loaded into OCLC and SkyRiver means improved service to library users (and happier librarians). If you plan to sell your book (whether print, audio or ebook) to libraries, you need PCIP!

Where can publishers obtain PCIP and MARC records for their titles?

The Donohue Group, Inc. (DGI) is a library contract services firm based in Windsor, CT. We are a company founded, managed and staffed by professional librarians. DGI has served the library and publishing communities for more than 30 years, garnering a reputation for professionalism, creativity, and individualized attention to client needs. We began our PCIP program many years ago to serve the needs of small and independent presses and authors, and we have an established track record in providing high-quality cataloging to the publishing community.

Please visit the DGI website, which describes their services in more detail: http://www.dgiinc.com/pcip/

Questions? Contact Pat McCurdy-Crescimanno at pcip@dgiinc.com

 

 

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Libraries, Joel Friedlander, and The Book Designer Blog

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Thank you to Joel Friedlander and The Book Designer for posting my thoughts on the library market today!  To see more, click HERE

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And One ISBN Shall Bind Them….

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Why You Need

ONE ISBN for your Paperback

ONE ISBN for your eBook and

ONE ISBN for your Audio Book

Paperbacks

Let me be very clear (because apparently other folks out there are not)

You need ONE ISBN for your paperback book. That ISBN needs to be purchased from and registered at Bowker (or your country’s official provider if you are not in the US) and the ISBN should be put on your book cover file and on the copyright page.

That SAME file with the SAME ISBN should be uploaded and used at CreateSpace, IngramSpark, you local printer, and anywhere else you need to submit your files for printing or distribution.

ONE ISBN.  It does not matter where you print your book or whom you choose to distribute it. If you have three printers and two POD companies supplying the marketplace copies of your book, ALL of them should have the SAME ISBN.

Don’t listen to anyone who tells you that you cannot use the same ISBN at CreateSpace and IngramSpark.  That is not true if you have purchased your ISBNs from Bowker as you should have. It USED to be true for all of those who took free ISBNs from CreateSpace because CS owned the ISBNs and would not allow you to use them at IngramSpark.  (Because they did not belong to you.)

(sorry about the all caps)

eBooks

You need ONE ISBN for your ebook formats of the same book. Kindle (mobi) and Non-Kindle (epub) use the SAME ISBN for the one book. That ISBN needs to be registered and the ISBN should be put on the copyright page.

No matter where you upload your ebook, Kindle, Smashwords, Overdrive, Nook, Kobo, Proquest, 3-M, Bookbaby, KDP, IngramSpark…. SAME ISBN for all.

ONE ISBN.  It does not matter what the format is (mobi, epub or prc) or whom you choose to distribute it. If you have a dozen companies supplying the marketplace copies of your eBook, ALL of them should have the SAME ISBN.

Don’t listen to anyone who tells you that you don’t need an ISBN for an eBook. ISBNs are the best way to track your sales and identify your book.  What are you going to do at your local bookstore when you want them to list your eBook in their catalog?  Give them your AMAZON number?  I’d like to be there when you try that… call me….

As eBooks become more and more a part of our industry, tracking their sales and downloads will only work with ISBNs.

(yes, there was a little cutting and pasting there)

Audio Books

Sing along with me folks…. You need ONE ISBN for your audio book, no matter how many places you distribute it through.

If you would like more information about the correct way to publish and get your book out to the market with a minimum of fuss and mistakes, THE WRITE WAY can be purchased here.

TWW Front cover

 

The ISBN is connected to the format of the book, not the printer or distribution company/model.

 

(Thank you for your kind attention, we now return you to your regularly scheduled internet viewing)

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