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Rising Tide of Authors Complain of Long Wait Times for Author Copies From KDP

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By Keri Rae Barnum

Most authors have started to settle into the changes brought on by the Kindle Direct Publishing (KDP) and Create Space merge that took place in 2018. However, one issue seems to remain as a point of contention. KDP print and ship times for proof and author copies is consistently slower than what authors had become used to from Create Space.

One author said, “I recently placed an order for my own books, and the date of shipment was 11 days from the date of my order. That doesn’t include shipping speed, that’s just how long it took for KDP to print the books and get them out the door.”

Another author wrote in to say that not only had his author copies not printed for several weeks after his order was placed, but after Amazon had reported the books shipped, they were unable to provide a tracking number.

“I ordered author copies after the book was in print. After three weeks they still hadn’t been printed. Others on KDP Community have said 3-4 weeks is the norm!”

After weeks of waiting and several additional inquiries, the author was told his books were lost in transit. His order was canceled, and he had to begin the long process of ordering author copies all over again.

Far from an isolated incident, online author forums are teeming with similar complaints.

What Gives?

When KDP took over Create Space, all author proofs and discounted author copies of books began processing through Amazon’s retail outlets. While this streamlined the checkout process for ordering, the new sales and production flow also resulted in backend issues. Rather than ordering from a separate platform, authors are now competing with retail customers for order placement and shipping.  And, as we all know, customers who make a company money tend to be bumped to the front of the line. Meanwhile, authors ordering copies of their own book(s) at a steeply discounted rate are being moved to the back of the que.

KDP isn’t completely unaware that this could cause issues and they do address production and ship times on their website. The quote below was pulled directly from the KDP Help Topics under Author Copies.

“Our manufacturing and delivery estimates are based on the quantity ordered and selected delivery speed. The most up-to-date delivery estimate will display during checkout.

Actual production times fluctuate according to total order volume. There may be times that your order is manufactured faster than expected, but faster delivery isn’t guaranteed. We recommend noting the Expected Delivery Date you’re given when placing the order. This date takes production time into consideration.”

What’s an Author to Do?

While frustrating, most authors will understand the reasoning and motivation behind Amazon placing priority on customer orders who are paying full retail for books. There isn’t much to be done that will change that policy. However, there are some things authors can do to avoid setbacks and frustration as they move forward with their publishing and marketing plans.

  • Be Proactive: If you intend to order a printed proof, add in a two-week cushion for print and wait times.
  • Take Advantage of Technology: View the online proof from KDP and approve the book based on that. Meanwhile, you may also choose to order a printed author copy as a back-up proof. This option provides the opportunity to view your printed book without the stress of holding back your publishing plans.
  • Cushion Your Timeline: If you are planning an event and you know you will need multiple author copies of your book, order well in advance. Not only will this save you stress, but you will also have the time to receive and inspect your books before your event.
  • Use Your Resources: While we love KDP for distribution and sales on Amazon, we highly recommend that authors also upload their book to Ingram Spark. Authors who chose to do this have another option for ordering author copies, as Ingram Spark offers this service as well. It might be wise to try ordering author copies from each platform to compare, price, quality, service and production and delivery speed.

A Word to the Wise

Keep in mind that the holidays are quickly approaching. Both Ingram Spark and KDP will be inundated with orders to fulfil between October and January that will affect production and shipping times. If you plan to order author copies between now and the end of the year, do yourself a favor and order early. Or, if you must order during the holiday months, be sure to factor delays in to your schedule.

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How to Transfer Your Expanded Distribution Book to Ingram Spark From CreateSpace/KindleDirectPublishing

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You went to CreateSpace or KDP and uploaded your self-published published book to them, and they offered you a free ISBN. You took them up on their offer and proceeded to upload your book so that you could be on Amazon. Okay!

But now you are thinking about bookstores and libraries and want to start getting your books in there. No problem, right? After all, you saw on Create Space (now KDP) that they could get you into bookstores and libraries all you have to do is click the “extended distribution for bookstores and libraries” button.

Not so fast! Unfortunately, when Create Space/KDP offers you bookstore and library distribution, they’re doing it by using a third-party Print on Demand company called IngramSpark. IngramSpark is the second largest POD company after KDP. They’re owned by the Ingram family in Lavergne, Tennessee (they also own Ingram Distribution and Ingram Wholesalers.) While all three of these companies are owned by the same family, they are three separate companies that do different things.

To get into bookstores and libraries (Barnes and Noble and Books-A-Million), you need to be in a wholesaler. Ingram Wholesaler is the largest book wholesaler in the US and the best one to be in. They have the furthest reach, and more bookstores and libraries use them first than any other wholesaler.

The fastest and easiest ways to get into Ingram Wholesaler is to sign your book and your publishing up with Ingram Spark. (You CAN apply to Ingram Wholesaler as a non-POD publisher, but they have VERY high standards, and most small publishers are not accepted.)

It is not only acceptable, but it is also IDEAL to have your book files up on KDP AND up at IngramSpark at the same time. I have an article explaining why here.

WHY YOU NEED BOTH INGRAMSPARK AND KDP

Ideally, you will want your book up on Amazon through KDP, but you want your book up for bookstores and libraries through IngramSpark.  To get in the Ingram wholesaler there are a number of steps you need to take.

This will allow you to get the best profit from Amazon from KDP and the best distribution options to retailers through Ingram. If you have your own Ingram Spark account, YOU set the discount, and returnability factor and YOU own your distribution decisions… not KDP.  

Ready? Here are the steps you need to take:

FIRST – You have to confirm that the ISBN you have on your book belongs to YOU. If you took an ISBN from Create Space or KDP, then you don’t own it, and you cannot take that book anywhere. (If you already have an ISBN and that you bought from Bowker or your own governmental agency you’re ahead of the game – you can skip this part…) But if you got an ISBN from Create Space or KDP, that means that they own your ISBN, and THEY own the distribution rights to that edition of your book. This is not good. I’ve written an article explaining why here:

Why You Need Your Own ISBN From Bowker

Buy your own ISBN from the proper entity. If you’re in the US, go to www.myidentifiers.com

SECOND – Sign up for an Ingram Spark account at WWW.INGRAMSPARK.COM. There’s an actual instructional videos on their site you will find helpful  Here is one here:

Once you’re all signed up for Ingram spark and they have all of your tax ID and bank information, you’re ready.

Sign into IngramSpark, give them your book information and upload the new file with the new ISBN.

THIRD (A) – FOR THOSE OF YOU WHO HAD TO PURCHASE NEW ISBNs AND ARE UPLOADING NEW EDITIONS.

Once you have your new ISBNs and you’ve registered the new edition of your book (yes, if you put a new ISBN on the book it’s a new edition) it is time to upload the new files (interior and cover) both to KDP AND to IngramSpark.

THIRD (B) – FOR THOSE OF YOU WHO GAVE CREATE SPACE or KDP EXTENDED DISTRIBUTION:

Your ISBN is in KDPs IngramSpark account and needs to be released from them before you can proceed to claim the book at IngramSpark.

This is how to get KDP to release your title and allow you to claim it at IngramSpark:

Sign into your KDP account and go to the distribution tab. Uncheck extended distribution to bookstores and libraries. You need to uncheck that button telling KDP that you no longer give them permission to offer your book through their IngramSpark account.

Next, send KDP an email through the customer service contact portal telling them that you have unchecked permission and asking them to release your book from their IngramSpark account.

Next, fill out the form found on THIS page: 

http://help.ingramspark.com/hc/en-us/articles/211155403-Title-Transfers 

Then email the form and the ISBNs and titles of your books to: ingramsparksupport@ingramcontent.com 

Wait for 5 to 7 business days to hear back from KDP and IngramSpark that KDP has released your ISBN from their Ingram Spark account and hear from Ingram Spark that they have accepted your title transfer.

Once you have completed the third steps (A or B), you will confirmation emails letting you know that you are all set.  Log into IngramSpark, and you should see your title in your dashboard.

For those that are worried about losing existing Amazon reviews on their KDP listing…  once your new edition is up on Amazon, you CAN get your reviews from the old edition up on your new edition.  You have to go through your Author Central account and call the author central customer service group.  (yes, they still have a phone number!) Just ask them to duplicate the reviews onto your new ISBN edition.

Hope that helps!

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When Should You Pay For a Review?

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A lot of small press, Print-on-Demand, and self-published authors want to know where is the best place to get their books reviewed.  The answers range from the biggies (USA TODAY, PW, KIRKUS, FOREWORD, PEOPLE, and major newspapers such as NY TIMES) to the not so big (reader blogs, online retail sites such as Amazon, Midwest Book review, local papers).

 

My first question is: “Do reviews help sales?”

YES!  Yes they do.

My  next question is: “When should an author pay for a review?”

Never. Ever. Nope. Nada. Don’t. Just stop there.

If you truly want to be taken seriously by the major names in book reviews, then print some Advance Copies 4 months before the publication date of your book and send them out under your publisher name with a well-written cover letter, a press release, a marketing plan and a fully fleshed out list of sales and PR activities scheduled.  This will give you the bare minimum introduction to the reviewers and give you a CHANCE at a review from one of the biggies.

If you cannot see yourself giving the book the three to four month window that the major reviewers require, then you are choosing to forgo the chance of those reviews.  As a small press owner, be aware that getting reviewed by these folks is about as likely as winning the lottery.  If you choose to skip them, it is very similar to deciding not to buy that $400 Million Powerball ticket.

In the last year, I have had self-published, single-title authors reviewed by Publisher’s Weekly, the Wall-Street Journal and Fast Company.  These are HUGE names and the reviews drove sales.  (even the negative ones…)  But these author/publishers were in the teeeeeeeeny minority. They won the lottery.

Where does the money come in?  Foreword, Kirkus, and Publisher’s Weekly all offer small press/Print on Demand authors a chance to get a review by paying for a listing or review in their “small press” divisions.  These are valid and worthy divisions of good companies.

A reviewer’s time is valuable.  It is coin and worth a great deal.  I am not saying that they SHOULD NOT charge for their time… I am saying that you should not PAY for it.

If your book is worthy of a reviewer’s time, they will offer it.  If you follow a reviewer’s submission guidelines and respect their process, you will have a chance at getting some of their valuable time in the form of a review.

I can understand why some companies would charge for a review, but I am here to tell you that the bookstores, retail buyers and librarians who use reviews to make decisions KNOW WHICH REVIEWS WERE PAID FOR. (and they disregard those reviews almost entirely)

AND, none of these “pay for consideration” divisions offer a GOOD review for money, just a chance to be reviewed.

Kirkus gives straightforward reviews to both paid and non paid submissions.  (They are known for being honest to the point of brutal…)

Publisher’s Weekly does not guarantee a review for their small-press listing fee, they just offer a better chance at a review in their small press quarterly.

This business model is not like the “fast pass” on the highway or at an amusement park.  You are not paying to get bumped to the head of the line.  You are exchanging your money for a review you would not likely get otherwise.  Buyers and Librarians know this.

Get the review the proper way, or don’t bother.

As a former book buyer and as a current soldier on the front lines of the retail battlefield, I can tell you that numerous, positive, proper reviews from smaller venues help more than a paid for consideration from a bigger name.

Those that know the Kirkus name will know if you paid for the review and those that don’t know the Kirkus name won’t be impressed by the review. SO WHY pay for it?

If you are having trouble finding the submission guidelines for some of the top book reviewers in the publishing industry, HERE THEY ARE!  We went through each venue and found the right page to get you to the details for review submission so that you can avoid paying big buck for review services.

Publishers Weekly, Library Journal, NYT, The REAL Kirkus and Foreword Magazine….  we have them all.  Just download the document from the link below and you are all set.  It’s on us!

 

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Time or Money? You have to invest at least one.

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I strongly prefer it when authors decide to do their own marketing and promotions. Too often, authors pay for marketing and promotional programs that do not offer a strong return on their investment. Some programs make sense and some do not. How to tell the difference? Here are a few things to keep in mind:

Does the program you are considering include follow up? Pitches to ANYONE do not work the first time. The secret to successful sales or PR pitches is in the follow-up. Paying for a one-shot mailing or a onetime push will most likely not result in the sales you are looking for. In addition, the amount of money that you spend on a program can easily be saved if you are willing to spend time instead of money. YOU can get reviews for your book. YOU can pitch newspapers and magazines. YOU can approach libraries and bookstores. Consider spending a little time each day learning how to promote and participate in an active outreach plan. You might find that investing your TIME gets you a LOT more than investing your money.

That having been said, a great number of wonderful online and “real life” programs exist out there. I buy marketing, ads, and promotions all the time. I am just smart about which ones and never assume that my checkbook can completely replace my elbow grease.

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Why You Need Both IngramSpark AND KDP

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CreateSpace is Going Away. KDP is Taking its Place. How Do We Work with KDP AND IngramSpark?

So KDP is taking over for CreateSpace. But you still need IngramSpark. I know it’s tempting to avoid the extra expense and hassle of taking on two demand (POD) providers, but most of us benefit from doing just that.

So . . . do you need both?

Yes:

  • KDP does a terrific job with Amazon.
  • KDP charges less for printing and set up fees than IngramSpark.
  • KDP does offer “extended distribution” for bookstores and libraries (sort of . . . more later).
  • IngramSpark charges set up fees and a lot more for proofs than KDP does.

But:

  • KDP’s “extended distribution” is only fully available to those books using a KDP ISBN. (You should always buy your own ISBNs and have a direct relationship with your book’s brand and ISBNs.)
  • Even if your book has extended distribution and can be bought by bookstores, it most likely won’t be. Bookstores do not relish the idea of giving their biggest competitor money.
  • In addition, the extended distribution offered by KDP is actually IngramSpark! KDP uses IngramSpark for the distribution. It does not, however, offer competitive discounts to the bookstores, further narrowing your chances of being stocked.
  • Books in KDP extended distribution ARE listed at Ingram Wholesalers, but NON-RETURNABLE and at a lesser discount so bookstores and libraries do not get the good terms that they would if they could buy from YOU at IngramSpark.
  • Using a KDP ISBN will mean you are instantly relegated to the pile of “self-published” books before the buyer has a chance to review the quality.
  • IngramSpark allows your book the chance to be ordered in many countries, but many types of retailers and in Hardcover, which KDP does not.

So:

  • Use KDP for Amazon. It does a great job and you make far more money on each Amazon sale.
  • Use IngramSpark in addition so that your book can be ordered by the bookstores and libraries from the large wholesalers with which they prefer doing business.
  • Use your own (Bowker-provided) ISBN so that you have the benefits of your publishing company’s brand on all databases.
  • Upload your book to KDP first so that they accept your ISBN and not complain that the book belongs to IngramSpark.
  • Don’t cheap out. IngramSpark and KDP are two different tools for two different markets. If you don’t want to be in the retail store and library market, then you don’t need IngramSpark. But if stores and libraries are your goals, then spend the money to provide the books to them in the manner that gives them the best chance of saying “yes.”

Finally

If you really cannot stand the thought of using more than one POD provider, go with IngramSpark. It will allow you access to more venues even if it makes you less money per unit.

IngramSpark and KDP take all comers.

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Step-by-Step Instructions to a Terrific Back Cover

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For non-fiction authors, back covers are the best place to convince potential readers to open your book and check it out.

It is the front cover’s job to get the reader to flip the back over and read the back cover. It is the back cover’s job to convince the reader to open the book (in person or online).

For small press and self-published authors, WHAT to put on the back cover can be a hard decision.

Here is my formula for a killer back cover that has a terrific chance of convincing a reader to open your book:

  1. Big, bold, exciting headline: LOSE WEIGHT WITHOUT DIETING
  2. List 3-5 questions that will allow the reader to identify with an issue. (Are you struggling to lose weight? Have you lost and then regained the weight before? Do cravings and hunger plague you when you are trying to lose weight?)
  3. Write 3-4 sentences addressing the problems listed in those questions.
  4. Write a short paragraph describing the book and giving the reader a list of benefits they will receive when they read the book.

Done.

There is no need to put the author’s photo or even a bio on the back cover. The days of back covers being where folks went to learn about authors is over.  Put your bio, photo, and information on the last page of the book and save that amazing real estate on the back cover for showcasing the benefits of your book.

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Can Someone Else Sell My Book For Me?

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light-bulb-1407610_1280“Hello, New Shelves Books, How may I help you?”

“Hi, I have a book and I want to know if you can sell my book for me to stores and libraries?”

The answer? Yes and No…

It is possible to hire someone to EXECUTE the sales activities for your book, but YOU need to create the sales plan and the materials needed for the sales pitch.Sales plans and the execution of the sales activities are two VERY different things.

The sales plan includes researching the types of stores that should receive the sales presentations, creating the sales materials, creating the sales pitch, creating the list of benefits to the store/library if they stock the book, setting up a pitch and follow up schedule and plan. It is so much more than making phone calls and emails.

Once you have done all of these things, THEN you can hire someone to make the calls and send the emails.  Making sales pitches and presentations are a simple set of actions and follow up that takes a lot less strategy than creating the sales plan.

If you are considering hiring a sales assistant or a VA to do your sales duties, be ready to provide the following:

  • A PDF of a one page sales sheet
  • A beautifully designed HTML email sample email template
  • A database of stores for the assistant to start with
  • A system to allow the assistant to keep notes on each call and email so that follow up can happen
  • Training and sample script for calls to stores
  • A goal number of emails and phone calls to achieve each week

If, when you have these items, you can turn them over to a sales assistant or VA and let them get started!

For more information consider this video training on working with Sales Associates

If you would like New Shelves to launch your book for you, we would be happy to discuss it with you.  Read more about our LIFT OFF PROGRAM below:

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PODCAST at Real Fast with Daniel Hall about Book and eBook Sales To Libraries

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Amy Collins

I just received this transcript from Daniel Hall of my interview with him.  I thought the info might be of use to many of you.

Today we are going to discuss how your eBook and your print book can make you a great deal of money in the library market. 

It is counter-intuitive because people think that libraries are old fashioned and places people used to go.  Not true.  Libraries are where it’s at, and we can make a lot of money there.

The Book Industry Study Group put out a study with Nielsen BookScan recently saying that avid readers, which is the type of consumers that book authors and publishers want to go for, avid readers visit libraries.  Also, their households buy, on average, nine books a month.  They’re in libraries and they are buying nine books a month, on average; a lot of them buy more.  With that, combined with the fact that a lot of libraries are in the United States, it’s the perfect place to focus your marketing and your sales efforts.

Step 1 – Make Sure Your Book Belongs In A Library

The first “Big Picture” step is to make sure that your book belongs in a library.  If you’ve written a mystery novel, a sci-fi novel, a cookbook, a self-help book, a business book, you belong in libraries.  If you’ve written a journal, a coloring book, a word search, those probably aren’t good library books because libraries can’t take what we call consumables.

Make sure that you have the kind of book that belongs in a library, and make sure it’s priced right.  Is every other book in your genre $17.99 and yours is $24.99?  Get your book in line with your competition.  The next step, after that, is to get your book into the wholesalers.

Step 2 – Get Your Book Into the Wholesalers

Libraries buy from wholesalers.  Wholesalers are just big warehouses that will buy books from you, the author or publisher and turn around to resell them to libraries.  The next step is to present your book to the librarians so that they can order the book from the wholesalers.  My favorite step, the one after that, is when wholesalers pay you because the libraries have paid them, and then the libraries start reordering your book.

So, make sure your book is ready for the library and that it belongs there, get your book into the wholesalers, the appropriate wholesalers. Pitch your book to the librarians, get them to put it on the shelves. Then wait for the sales to come rolling in.

If your book does well in one library, other librarians are going to hear about it, and they are going to start ordering your book too. That’s the really cool thing about this because there is a sort of viral nature to the buying of books within the library system.

Selling eBooks to Libraries

My favorite thing about selling eBooks to libraries is that you get to charge a lot of money for them.  You may sell selling eBooks to librariesyour eBook on Amazon for $8, $9, or maybe even $10.  You can sell that same $9 eBook to a library for $30 or $40 because they are going to loan it out.  They are going to loan your book out, over and over again, to their patrons, but only one at a time.

Eventually, if you sell enough copies of your eBook, you then have the demand you need to start licensing them.  That means you sell them, in essence, the right to loan out your eBook for one year, or for a certain number of loans.  That means every year, you get more money because those loans are re-upped, those licenses are renewed.

And yes, if you get your book into one library in Los Angeles, which has a $25 million dollar a year budget, and the other dozens and dozens of Los Angeles libraries can see how well your book is doing, they’re going to start ordering it.  But, what if they see that you have an eBook?  What if you told them that you have an eBook?  All it takes is a simple email, and all of the sudden, you’ve doubled your sales.  In some cases, you have tripled and quadrupled them.

How To Make Your Book Library Ready

library marketI know these steps intimately because we cover them in our course.  I mean, these are the steps that we actually walk through in the course. However, when I said to make sure that your book is ready for libraries, there’s an entire list of things that your book should have.  One of them is a catalogue and publication block. This is a block of information, of data, codes, numbers, and categories that all go into a small space that sits on the back of your title page, also known as the copyright page.

If you would like to get into libraries, this chunk of data is very helpful because it shows the librarians that you mean business. That you understand their business and what they need from you in order to get your book into their system.

When we say, “Make sure your book is ready,” there’s a long checklist of things you may not have actually heard of, and our course covers that.  It’s the catalogue and publication block. We teach you how to price your book.  What’s the right trim size?  We’ve got an enormous discussion going on right now among all of our students about why 6×9 is not a great trim size for most books, not all, but for most.

What you do is you get your book ready.  If your book’s already printed and ready to go, you compare it to what the marketplace needs.  You’ll learn these things in our course. When your book’s ready to go, registering with the wholesalers is as simple as writing a cover letter, sending them a copy of your book, with a marketing plan.

Wholesalers want to know that you’re going to create demand.  Are you going to be calling 40 libraries a week?  Well, then tell them that.  Are you going to be doing radio interviews or podcasts?  Are you going to be writing guest posts as a blogger?  If you tell the wholesaler what your marketing plan is, you have a much better chance of getting in there.

The wholesalers are going to ask for a very deep discount.  In some cases, this will be 50-60% off the price of your book. And, they are going to want to buy the returnable.  If a wholesaler, such as Ingram Wholesale, Baker and Taylor Wholesale, Broder Wholesale, Bookazine buy 40 copies of your book, and only 20 sell, they are going to send you the other 20 back.

So, you’re in the wholesalers now, you’ve agreed to their terms, they’ve ordered a few copies, and now it’s time to write your cover letter for the libraries.  The cover letter does not focus on how wonderful you are or how terrific your book is.  Although you probably are wonderful and your book is great, your letter is focused on what the librarians want to hear and what they need to know.

What they need to know is that you understand their goals.  If you approach a librarian and say, “Hey, I understand your goals, I know how hard your job is, and I’m here to make it easier,” you are so in. You want to create a cover letter, or start a communication email chain with them that says, “I know you want to create foot traffic.  I know that you only want to bring in books that you need, the category is right for you, that your patrons are looking for.  My book is exactly the kind of book that your patrons are looking for.

How do I know that?  Well, because I took this course and Amy told me that self-help books were #3 for non-fiction and cookbooks were #1.  Well, my book is a self-help cookbook, so you clearly need my book.  It’s priced perfectly, it’s got a category and publication block.  It’s available at the following wholesalers. I also have an eBook available at the following eBook wholesalers.”

I’ve been mentioning the print book wholesalers, but don’t forget the eBook wholesalers, like Overdrive and 3M. IngramSpark has a good one, or you can even use some of the eBook distributors like Bookbaby or Smashwords.  So, once you’re in and once you’ve created that cover letter, and you start sending it out to emails, I suggest spending 15-20 minutes a day…that’s it…5 days a week, 20 minutes a day, for about 90 days, should really get you going, sending out this cover letter and tweaking it for each librarian. 

Example Cover Letter

“Dear Susan, My name is Amy.  I’ve written a book about the publishing industry.  I’m hoping that you will consider stocking it on your shelves.”  And then, you go on from there, “Here’s my marketing plan.  Here’s what I know about your library.  I would love to send you a copy as a PDF for you to review.  May I send you a copy?”  Just start with that.

Communication With Librarians

Librarians are lovely.  They are so nice.  They are going to start communicating with you.  As we get into the nitty-library marketinggritty on exactly how to do this, there’s also a long list of things not to do. You do not pick up the phone and call a librarian at noon on Saturday and expect them to give you half an hour.  They aren’t going to.  They are going to be annoyed; they’re busy.

You do not call a school library and ask them to spend $400 on your book.  They don’t know you, and they don’t have that kind of budget.  School libraries are different than public libraries; they depend a lot on donations.  If you really want to be focused on the school library market, that’s a slightly different cover letter.  Again, we cover a lot of that in our course.

What you want to do is to keep going after the libraries that want your book. You may hit a spade of libraries that aren’t interested because the category isn’t right for them. Yes, you have a self-help cookbook, and yes, that’s a huge market for libraries right now, in the print book world and the eBook world. But, what if that particular library system is just stuffed with self-help cookbooks?  What if they don’t need anymore?

That’s okay.  There’s almost 13,000 public libraries in the United States.  Go find others.  Just start sending out your emails.  Twenty minutes a day.  You will eventually start enough conversations, and those orders will start coming in. Eventually, you will start seeing residual and viral sales.  Things will start to snowball.  Things will start to grow.

Tips On Getting Into the Library Market

For those of you who would love to hit the library market, but you don’t have the time–I’ve always said, “When you need to sell a book…time, money, talent…pick any two.”  If you’ve got time and money, but no talent, you can still be very successful.  If you’ve got money and talent, but no time, you’re golden.

If you don’t have enough time, but you have a great book, you might want to consider using some of our advice and hiring someone to do this for you. Examples: a local college kid, your nephew, your grandson, etc.  It should be someone that’s email friendly.

You can hire a virtual assistant.  I take out ads on Craigslist all the time.  There are ways to hire somebody else to do this for you in a way that still is very profitable.  Libraries are profitable enough that if you don’t have that 20 minutes a day, 5 days a week, maybe somebody else does. You should consider training someone how to do it.  It is very transferable.

Connecting With Amy

You can actually view the webinar about our library training.  If you like what you’ve learned today, and you really want to get more into it, check that video out.  I’m very, very proud of the work that Daniel Hall and I did on that.  Also, if you need to reach me, I’m always reachable atInfo@NewShelves.com or on my website, NewShelves.comYou don’t have to implement any of this, but if it resonates with you, then you should absolutely take the time and energy to actually start using what you’ve learned today.

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Daniels Real Fast Results Tips: Getting Into Libraries

 

 

 

Resources:

Daniel And Amy’s Course:
Real Fast Library Marketing

Wholesalers:
Ingram Wholesale
Baker and Taylor Wholesale
Brodart Library Wholesale
Bookazine

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Where to register your books (Real Fast Library Marketing Advice)

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Bowker: Log in and register your book under your ISBN at www.myidentifiers.com 

 

IndieBound: 

1) Log in to IndieBound.org using your personal account. If you don’t have an account on IndieBound.org, please create one at http://www.indiebound.org/join.

2a) Point your browser to: http://www.indiebound.org/addabook

2b) For missing cover art, navigate to:http://www.indiebound.org/addabook/cover

3) Enter your data, attach an image, and submit

4) Please allow time for approval by someone at ABA. You will receive an email when your book is approved. Once approved, it can take up to 24 hours for your book to appear in search results and on IndieBound.org

All add a book requests must be submitted through these forms. Changes and corrections to existing books (other than cover art) should be emailed toaddabook@bookweb.org

 

WorldCat.org: You can email WorldCat or use this form to request that they add your book. http://www.oclc.org/forms/record-quality.en.html 

 

ALA Buyers Guide: http://ala.multiview.com/ 

 

Booklisthttp://www.ala.org/offices/booklist/insidebooklist/booklistproc/proceduressubmitting

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Amazon’s New Marketing Programs and Offerings

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mill-208570_1280A few years back, authors and small presses could participate in a number of marketing programs at Amazon.com.

BUY X GET Y was one of my favorites. You could contact Amazon and request a link from your book to another book of similar appeal. It was not inexpensive, but it was a terrific program that exposed your book to readers interested in books similar to yours. Listmania was a free program that also linked similar books. There were FEATURED PAGES. A small press could purchase a page on Amazon that highlighted a series or group of books in a kind of “landing page”. There were a number of Amazon marketing programs like these and others that were slowly raised out of reach for small presses over the last 5 – 10 years.

Thus began the long dry stretch of desert for single title authors and small presses. Simply put, we were not given any opportunities to participate in Amazon’s marketing programs. Sure, there were tricks and manipulations we could learn, but they were not as effective as participating in Amazon sponsored marketing. Once BUY X GET Y and other programs were placed out of reach, the small press was significantly hampered and not able to compete with the bigger houses that still had marketing programs available.

Flash forward to May 1, 2016

Amazon announced last week that they are making many marketing services available to all Amazon Advantage members. The program works like this:

As an Advantage Advantage publisher you sign up for Advantage and pay an annual fee of $99. This is charged to your account as a deduction of your sales so does not require up-front payment.

Those of you who are now Advantage “members” will have access to marketing programs previously reserved for Amazon’s bigger vendors.

Available Programs

Here are the programs being made available in order of my favorites:

Keyword/Tag Pay Per Click Advertising

This offering is my current favorite as AMS allows you to increase discoverability of your titles on Amazon.com by letting you set your own budget for a particular keyword or phrase. Depending upon your budget and the desirability of the keyword, your book can rise very high in the search page and you ONLY PAY if someone clicks on your book. Your click budget can be as low as $100.

“A+” Detail Pages

Want video, sample page shots, extra photos and other “juicy” offerings on your book’s page? Now you can have it! $600 gets you a LOT more on your detail page. The “A+” detail page is a deluxe detail page featuring advanced formatting and rich media content (detailed descriptions for example) to enrich the shopping experience for customers.

Pricing Discounts

I LOVE this idea! Now, customers can use vendor-funded coupon links (available on the product detail page) to offer customers immediate discounts off of the Amazon selling price. YOU pay for the discount but this program allows you to offer sales and promotions during key peak periods. You can drive sales during heavy review and blogger appearances or during a big media hit!

Don’t Forget the Importance of a Review Dashboard

Whenever trying new and tried-and-true marketing efforts, it is vital that you evaluate your successes and that you measure the return on investment and optimizing campaign performance through sales reporting. With AMS, you have access to sales data and marketing ROI on each and every marketing tool you try.

Vine Reviews

Amazon reviews are becoming more and more important every month. AND Amazon is being a LOT more vigilant about deleting reviews that do not appear legitimate. Amazon Vine reviewers are a select but LARGE group of reviewers that have been “pre-approved” by Amazon and their reviews are given more weight. You can look up each Amazon Vine reviewer individually and ask if they would like a copy of your book to review or you can save all that time and hassle, pay $1500 to be offered to the Amazon Vine reviewers. It is a pretty hefty price tag, but if you want access to the entire VINE reviewer list in one easy, seamless program, you can invest in this program and let THEM handle all of the details.

Signing Up for AMS

So, on May 1st, I will be signing up for AMS and trying out the Keyword and A+ Page listings right away. I have been waiting for years to be allowed to swim with the bigger fish and I cannot wait to see how it works. If YOU are going to be participating, PLEASE come back and comment here and tell me how it goes. It would be great for those of us who decide to swim in these waters to report back how it, the water, is. I will be back to tell you my experiences and offer solid data on the return on my investment.

Resources

Amazon AMS Marketing_Programs [2-page PDF]

Amy Collins headshot x125Funny, sharp, and smart, Amy Collins is full of up-to-date industry tips and executable advice. She has been a Book Buyer for a chain of bookstores as well as a Sales Director for a large books and magazine publisher. Over the years, she has sold to Barnes & Noble, Target, Costco, Airport­ Stores, Books-A-Million, Wal-Mart­, and other major chains. She helped launch several hugely successful private label publishing programs for Borders, PetSmart, and CVS. In 2006, Amy sta­rted New Shelves Books, one of the fastest-growing book distribution, sales and marketing companies in No­rth America. She is the author of the new book, The Write Way and works with self-published authors and small publishing companies to increase their sales in the marketplace.

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