The “New” Importance of the Book Cover
If you’ve been following our blog over the past year or so, you’ll remember our post Your Spine Is Your Cover.
Yes, that’s still true for those authors who aspire to brick and mortar stores and traditional retailers.
But in the eight months since we posted that blog, the publishing environment has continued to change.
Small publishers’ interest in testing the market by just making their books available online (their own websites, Amazon.com, etc.) or as eBooks has continued to increase. POD programs offered by a variety of different companies have drawn a large group of publishers who are willing to save money on big offset print runs, warehousing and fulfillment and who say let’s “throw it up online” and see what happens.
Publisher’s beware. “Throwing it up online” does not mean cutting corners on quality. If you just make your book available online, your number one marketing tool has changed. Your book cover just increased in importance over just about any other single piece of the publishing process.
For those of you who have been there, you understand. Search Insides, excerpts, and sample chapters for downloads are great. But, you’ve got to get the consumer to commit to taking that step.
How so?
A dynamic, professionally designed, top-notch book cover.
If your budget demands that you only make your book available online, take the time to do your research. Look carefully at other book covers in your category – both online and in stores. See what’s working.
Is there a particular font, photo treatment, author treatment, color, design that’s consistent across your category? If so, make sure your cover stacks up against the best of the best.
Budget might drive your decision to start online, but budget can’t drive your decision to put up a mediocre cover and hope for the best.
Trust us, it won’t work.
The Whys of Self-Publishing
This week New Shelves is thrilled to host Carl Johnson of Boyd Printing. Carl has been experiencing and riding the changes in the publishing industry for over 30 years. With R.R Bowker’s announcement that self-published titles have surged to over 700,000 titles a year while traditionally published titles have declined, we are going to spend this week looking at the world of self-publishing.
The Whys Of Self-Publishing by Carl Johnson
In the past decade or so the publishing world has witnessed numerous changes. In the past, an author had to make the necessary rounds of publishing houses and often, a lot of time would pass before the manuscript was approved by the publisher.
Today, the way a book gets published and the way in which a writer gets compensated has completely changed.
One of the major changes in the publishing industry is consolidation, due to the shrinking marketplace. Over past decade, this change of the large number of smaller or independent publishers being consumed by larger publishing houses has caused many publishing houses to avoid taking any kinds of risks in terms of financial gains.
Today, publishers are much more hesitant to publish something that does not guarantee a good ROI. Any publishing house worth its name will only entertain writers who have an established name or who can, in some other way, guarantee successful sales of the book.
This brings in the phenomena of self publishing; no longer does the writer have to spend days and months trying to get their manuscript approved, only to get a percentage of sales as a royalty. With self-publishing, they publish, promote, and sell their book all by themselves with the benefit of retaining all the profits in the process.
I want to give you a brief description of why you should consider self-publishing along with the benefits, advantages, and disadvantages of self-publishing.
The Advantages of Being Published
Lets begin by considering the reasons why people like being published, which can be many besides the fact that everybody likes to have their share of fame, however short-lived it might be.
As an independent business person or practitioner in a field, the main motive behind getting published is that it establishes you as an author and expert in your field. There are, of course, many personal reasons for getting published as well. As an author, you take a step ahead of the crowd and your credibility is increased immeasurably.
Being published gives you tremendous marketing leverage; you can literally become a desired quantity in the marketplace. Those who publish and write on subjects relevant to your work will now wish to engage you for interviews, articles, and other opportunities that give you visibility you would not otherwise receive.
Business people who havent yet been published frequently underestimate the power and value of having a book and all it brings. The rewards are far greater than the commitment necessary to get published.
The Benefits of Self-Publishing
Self-publishing is the short-cut to attain all of the above.
With the consolidation of the book publishing industry, publishers are far more reluctant to award book contracts to an unknown who cant show that their book will sell.
In fact, it is often virtually impossible to get a major publisher to take you on if you are not established as a writer or can show that youll generate book sales. You should be established as a writer and must have a following of readers for the publisher to be ready to take on your manuscript.
The internet has also adversely impacted the profit margin of the publishers, as more and more is being published on the internet. Also, people prefer reading news and all other information online, as this usually does not cost them.
When it comes to getting published there are mainly two kind of motives on which people function- personal and professional. Lets consider the personal reasons first.
As a Hobby
People who have financial stability may want to make a name for themselves, as most writers are venerated and so, they may like to be known as a knowledgeable person. One advantage of this is that the writer is not really interested in generating sales as a source of income.
Writing a book as a hobby or about something that is your hobby may actually prove to be lucrative and may be a smart way of making money from a hobby. You may eventually find that something that was merely a hobby has turned into a career.
For Family
People also write about their family history or their personal story. Occasionally they want to share their life story or their success story with others. I knew a very well to do woman who wrote her story and spent a few thousand dollars to have her story printed as a hard bound book which she later distributed at a family reunion.
As an artist or a photographer you may like to showcase a collection of your works and, hence, publish them.
Let us now consider what drives people to publish at a professional level:
Money
Money, of course, is a big motivation. Most people who self publish do so with an aim to make what they expended and hopefully some profit.
Also, you are likely to establish a reader base and make profits in the future when you write and publish more books.
An indirect and effective way of making money from a book is to use the book to promote your company, organization, or professional practice. A senior partner in a large local law firm wrote a book on estates and trusts. He then gave the book away at seminars. The book, plus the aura of being a published expert, lent creditability to the seminar he conducted. All of this drove many clients to the firm and they prospered and grew significantly.
You can use your e-book version to establish yourself as a marketable author as well. If you sell a thousand copies of one book you establish a readership base for your next work. With a couple of published works under your belt and proven sales, you are more likely to be signed by a major publisher where you have an ability to develop greater sales.
? Having a book published is a tremendous marketing asset.
? Visitors to a website are greatly attracted by e-books.
? Books offer you immense marketing options.
? Free chapter giveaway is a teaser to gain readers.
? Joint sales venture options with other experts or products where your book becomes part of a package deal are also possible.
Passive Income
Most of the alternatives suggested earlier are, actually, ways of earning a passive income.
You can further enhance your source of income by enhancing certain features of the book. You could enable audio readings of the book and other resources for the reader. You could even create some kind of a course for the reader.
Prestige
I made a statement earlier which calls for reiteration, that a published and successful author gains respect and is considered as an expert. He is invited to preside over functions and acts as judge in TV shows – generally his name and fame grow.
A published author has the opportunity to secure academic credentials, as most academic institutions desire some published works.
Career Advancement
A person who has a published work to his credit will more easily move up the ladder of success, will likely get better job offers and will enjoy more opportunities to succeed in general.
Simply put, being published gives you an expert status above the crowd. Though, it really is not that difficult to get self published, most people have a very high perception of someone that is.
For those seeking a career in the field of academics, a published work is a pre-requisite.
On Monday, we will discuss the DO’s of Self-Publishing.
Great article in Publisher’s Weekly
The Cadence Group’s distribution arm, New Shelves, got a fantastic mention in PW today. Thank you Judith Rosen for your great work!
http://www.publishersweekly.com/article/454267-Distributors_Stay_Upbeat.php
Will eBooks ever replace paper books?
Last week I started following a really fantastic conversation on LinkedIn about whether or not people believe that eBooks will ultimately replace paper-based books.
Opinions were varied across the board. Most of us agreed that, in the end, we can’t imagine life without our over-filled dusty bookshelves.
Below was my contribution to the conversation….we’d love to hear yours:
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There will always be a home for printed books. I love the record analogy. Some people still love their vinyl!
However, publishers, publishing professionals and authors need to understand that eBooks are the income-generating future of the publishing business. The price of eBook readers continues to come down (anyone remember when an iPod or a PDA was overpriced?). For avid readers, the cost of a Kindle can be offset within the first several months by money saved on purchases that would traditionally include shipping (Amazon), gas (driving to the store), and paying cover price (traditional retailers).
Just to fess up, I bought my first Kindle last year. Actually, my business partner bought it for me because I was vehemently opposed to the idea of an electronic eReader. I swore up and down that my Kindle could NEVER replace the joy I felt while curling up on the couch with a cup of coffee and a good – actual – book.
I’ve been eating my words ever since. The convenience, the ease of bringing multiple “books” while traveling, and the accessibility of having just about any book I want to read 90 seconds away via download has made me a true convert.
Will I give up my dusty bookshelves? Never. Will I continue to by hardcover/paperback books that I want to add to those shelves – classics, favorite authors, etc. Absolutely. Has the printed book become less a part of my reading experience? One hundred percent.
But, kind of like vinyl, I’ll never give them up completely.
Getting Fed by Twitter
This weekend I went looking for Eddie Izzard on Twitter. I like his world and political ideas and thought his tweets would be a good addition to my feed. I found that Mr. Izzard has over a million followers and yet only follows 71 people.
I have had WAY too many conversations with authors and publishers about their “Twitter marketing work” and how they are “putting it out there” on Twitter and Facebook. I have never thought of Twitter as a way to push myself out there. I have always seen it as an amazing learning bank.
There are agents, publishers and industry insiders who generously share their wisdom, pass on news and tidbits and forward fantastic articles that I never would have seen otherwise. Because of them (and Twitter), I am a more educated, informed person. I would not have ever have gotten the benefit of their wisdom without twitter and I am grateful for their generousity.
There are also a number of industry folks who use my twitter page as a place to promote (read: spew) their latest review, minor triumph or self-serving mention. For them, Twitter is a marketplace, not a place of learning and community. Okay, I can see that; I can let Twitter be a marketplace on THEIR computer, but not mine.
For me, Twitter is an exchange of information, not a place to sell yourself. It is a forum where I get to give and take with no expectations. It is like any other relationship… Those who enter into it wondering what they can get out of it are not good relationship prospects. The next time an author asks me about the return on my Twitter time investment, I am going to hit him/her over the head with a piece of Church of England cake.
So that leads me to my post next time… Should I be more selective about who I follow? Shall I unfollow those who have not turned out to be good relationship prospects?
Returns Kill Another Great Company
Blu Sky Media Group announced on Friday that they were forced to close their doors. Greg Snider, the owner of Blu Sky Media Group is not declaring bankruptcy, he has negotiated with his bank to allow him to make a structured closing.
Snider is a real class act. He could have shut his doors and walked away, but he didn’t. He is spending the next several months working (for nothing) to make sure all of his publisher clients find new homes.
This good deed in the face of tragedy is even more remarkable when you realize that Blu Sky’s troubles are in no way Greg’s doing. He gave small presses a chance to sell their books to the trade and the trade was happy to buy them. Blu Sky was formed to offer small presses the chance at distribution. Most distributors will not touch a small press because one or two books rarely recoup the expenses and time needed to launch a press properly.
Snider found a way around that. He was able to offer small presses way into the bookstore and library market.
What messed everything up? Returns used as cash. Blu Sky saw huge sales while things were good and huge returns when they weren’t, just like everyone else. Stores and wholesalers are allowed to return books that do not sell, that is part of the Faustonian pact we have all made, but for the last several years, they are paying their bills with returns. Books are returned days before the invoices are due and then those same books are reordered a week later…. starting the clock all over again. This practice is now so common place that many small and midsized businesses are shipping books over and over again for free.
I am not clamoring for the end of returns. I don’t want a complete turn-around on the policy that allows bookshops to take a risk on unknown publishers. It is hard enough these days to get a small-yet-worthy book onto a bookstore’s shelf. What I want is a reform of HOW we accept returns. We have to stop the practice of using returns as cash. It is killing good companies.
Your Spine Is Your Cover
Here’s one of the dirty little secrets in book publishing. Publishers spend countless hours and dollars working on their covers, but they often miss the point. With the exception of online retailers, your book spine is your cover.
Brick and mortar stores are packed with books. New releases. Backlist books. Series. Gift books.
Walk to any category (perhaps your own) and take a look at how many books are crammed on to the shelves.
What do you see? The spine, if you’re lucky.
All to often publishers make the mistake of not focusing at all on the spine of their book, not realizing that this is their number one marketing tool in brick and mortar stores.
What does this mean for you?
Spend some time on your spine.
Spine Size
Think about bulking your page count to make sure that your spine has presence. We’re not recommending that you fluff your book with overblown margins or blank pages. But we are recommending that you don’t cram in your text so tight to save a few cents on your printing prices.
Push it out a signature or two. It might make all the difference between getting lost on the shelf and standing out because you’re 1/8 of an inch bigger. Choose paper that bulks. You might be surprised at how easy it is to snag an extra 1/16 of an inch through paper weight alone.
Spine Color
Spend some time analyzing what the spine colors are in your category. This is extremely important. If every spine in your category is white, choose a vibrant color. Choose something that stands out. Choose something that practically leaps of the shelf and screams “pick me!” This is the time to buck the trends and be a little different. If you’re not sure what will work, grab some books that have different spine colors and stick them on the shelf where your book will go. Which colors pop to you? What do you see first?
Spine Text
Make it readable! Make it bold! Make it big! Make sure that the reader sees your spine and your text right away. If you’re standing 3 feet away from your spine, you need to be able to read what it says (see above about spine width – the bigger the spine the more room for bold text).
Take it to the Bookstore
Let’s keep this next bit between us…
The best way to really know if your spine works is to print out several versions, colors and copies true to size. Cut the spine out, getting rid of excess paper so you’re literally holding your book spine in your hands. Put a tiny piece of tape on the end of each option. Take your spine options to the bookstore and visit your category. Stick the various spines on the books that will sit next to you (usually alphabetical by author’s last name within category or subcategory). Which one works? Do any? What do you see? Can you read your title? Do you get lost on the shelf because you’re too tiny or you blend in too much?
Lack of attention to your spine can kill your book in the marketplace. Once you get in to stores, your spine really is your cover. When you consider the time, money and energy that you spend getting your cover right, promise us, do the same with your book spine.
P.S. Remember, be polite during any bookstore research. Bring your spines with you when you go and don’t interfere with bookstore customers!
Profit and Loss
Over the last few weeks, we have been discussing the dollars behind the decisions publishers make. Hardcover vs paperback, cover design, retail pricing… all of these items and many more need to be weighed against the bottom line. In these discussions, we have been tossing around the phrase “P&L”.